A journalist and Florida resident for more than 40 years, Jim "Hurricane" Hayward shares his obsession with Polynesian Pop and other retro styles on his blog, The Atomic Grog. Jim's roots in mid-century and retro culture go back to his childhood in the 1960s, when he tagged along with his parents to Tiki restaurants and his father's custom car shows. His experience in newspaper journalism and more than 20 years as an independent concert promoter have given him a front-row seat in the South Florida scene since the 1970s. He promoted hundreds of rock, punk, and indie concerts under the Slammie Productions banner since the early 1990s. A graduate of the University of Florida's College of Journalism and Communications in 1983, Jim was a longtime editor and web producer for The Palm Beach Post before his retirement in 2022. He earned his nickname by virtue of both his dangerous exotic drinks and his longtime position overseeing tropical weather coverage in his stormy home state. Jim now spends his time mixing cocktails, attending events and writing stories for this blog, which launched in 2011. The Atomic Grog extensively covers events, music, art, cocktails, and culture with a retro slant.
Ghoulish, whimsical and Tiki-inspired costumes filled The Molokai bar on Halloween night during The Mai-Kai’s annual bash that celebrates all things creepy and kooky, aka Hulaween.
Slip and the Spinouts perform live music for the undead at Hulaween 2014. (Atomic Grog photo)
Popular South Florida rockabilly band Slip and the Spinouts had the house rockin’ all night long with three sets of classic covers and retro-inspired originals. Frontman Slip Mahoney led his band through a wide range of genres, from country to swing to blues and kept the dance floor filled with costumed partygoers.
Costumes were as creative as usual, with many playing off The Mai-Kai’s Polynesian theme. The winner in the costume contest adorned himself with a giant evil green head that appeared larger than many of the restaurant’s famous Tikis. The Count (aka general manager Kern Mattei) and Minnie Mouse’s evil sister Millie (aka marketing director Pia Dahlquist) once again hosted the festivities, with many prizes provided by sponsor Appleton Rum.
Appleton reps were also passing our free samples of The Mai-Kai’s Mai Tai, which features the brand’s always tasty 12-year-old dark Jamaican rum.
It was the first time in the event’s six years that Hulaween fell on Halloween night, giving lovers of Tiki, tropical and retro culture the perfect venue for their annual night of frightening fun.
As the Epcot International Food and Wine Festival approaches its 20th anniversary next year, it shows no signs of getting stale or losing momentum. Foodies flock to Disney World every fall for this massive event, which was expanded this year to 53 days. We hit dozens of food and beverage booths during a recent two-day visit, our first since 2012. If you’re visiting during the fest’s last few days, or want to file away some tips for next year, check out the reviews below.
Hurricane Hayward samples the flavors of Brazil at the 2014 Epcot Food and Wine Festival. (Atomic Grog photo)
2014 Epcot International Food and Wine Festival: Through Nov. 10 at Disney World, Buena Vista, Fla. Access to the festival marketplace is free with theme park admission; food, seminars, and special events are priced individually. More at EpcotFoodFestival.com.
The festival is believed to be the largest food and wine event of its kind in the world, and its size and scope can be overwhelming. More than 250 food-and-beverage menu items are available (priced from $3 to $8) at 36 booths and kiosks encircling Epcot’s World Showcase Lagoon amid the 11 permanent international pavilions. It’s a great atmosphere for sampling the food and drinks from more than 25 international regions, with many nearby diversions such as acrobats, musicians, and Disney’s famous attractions.
There are also nearly 400 culinary, wine and beverage demonstrations featuring hundreds of the industry’s top experts; concerts starring a wide array of retro rock, soul and blues bands; cultural exhibits; and special events such as food and wine pairings, VIP parties, special breakfasts and lunches with celebrity chefs, and much more. Many fans spend multiple days or weeks exploring everything the festival has to offer, making it the centerpiece of their vacation every year. It’s also a popular destination for central Florida locals, especially on weekends.
Tony Abou-Ganim (left) and Dale DeGroff present a mixology seminar at the Epcot International Food & Wine Festival at Disney World on Sunday, Nov. 2. (Atomic Grog photo)
The seminars, which are reasonably priced and sometimes free, cover a wide range of topics, from obscure wines to culinary demos featuring Food Network stars such as Robert Irvine. My personal interest lies in cocktails, so when planning our trip I went straight for the list of mixology seminars. I was excited to pick up tickets to a demonstration featuring one of the biggest names in modern mixology, Dale “King Cocktail” DeGroff. When we arrived, we found out that he was sharing the stage with another pioneer of the modern cocktail revival, Tony Abou-Ganim.
In South Florida, where bands and musical trends come and go faster than the annual influx of tourists, there’s one comforting constant for lovers of the never-say-die genre of instrumental surf rock: Four guys who call themselves Cutback. The band will celebrate the culmination of years of hard work this fall with the release of a 17-track CD, Surfers Journey.
*** Friday, Nov. 7 – Cutback CD release party in The Molokai bar at The Mai-Kai in Fort Lauderdale. Free admission. Happy hour 5 to 7 p.m. Live music and drink specials all night.
The members of Cutback (guitarists Rich LaVoir and Frank Ferraro, bassist Nicky Ravine, and drummer Elliott Crawford) have been surfing and playing music for more than 30 years. Since the band’s debut in 2002, the goal was simple: Take listeners on a musical journey that showcases the history of surfing and the influence of surf culture.
Surfers Journey includes 14 original compositions by the band, including Surf Fever, Tubo Mexicana, 151 Rum Swizzle, and Conan the Surfarian. With its roots firmly planted in surf-rock history, the band puts its own spin on the genre with rock guitar flourishes and undeniable chemistry and tightness.
A mainstay for years during The Mai-Kai’s Friday night live music showcases, Cutback has finally documented its original music in a sonically impressive CD with packaging on par with any record-label release. Go to CutbackSurfband.com to hear song samples or pick up a pre-release copy of the album at Deep Eddy Records. It will be available on iTunes on Nov. 7.
When you examine the sport of surfing and its surrounding culture, Florida is sometimes overlooked while hot spots such as California and Hawaii grab the spotlight. A new book released in May could go a long way toward changing that perception.
Surfing Florida: A Photographic History, by Paul Aho, 272 pages, $31.95, University Press of Florida. Also available via Amazon, at regional surf shops and local book stores. See also: Facebook page
The book follows an impressive gallery exhibit, also called Surfing Florida: A Photographic History, that debuted at Florida Atlantic University in Boca Raton in March 2012. The exhibit of rare photos, surfboards, video, music and interviews made the rounds of galleries throughout the state in 2012 and 2013 to much acclaim.
The exhibit will become a permanent part of the Palm Beach County Surfing History Project, a nonprofit organization dedicated to preserving, documenting and exhibiting the history of Florida surfing. The group’s website says the expansive displays will be available only for non-profit, educational purposes, so donations are encouraged.
If you missed the exhibit and/or wish to take a deeper dive into Florida’s colorful surfing scene (past and present), the book is highly recommended. It goes into much more depth and includes a broader and more detailed look at the men and women who make the scene unique. It’s loaded with great stories and photos by many contributors including some of surfing’s top photographers.
For the first time since launching one of the most intimate and authentic Halloween parties in South Florida in 2009, The Mai-Kai will host this year’s bash on the night of All Hallows’ Eve. Fort Lauderdale’s legendary Polynesian restaurant will be crawling with Tiki-fied ghouls and zombies on Halloween night during its sixth annual Hulaween in The Molokai bar.
Until this year, the festive event never landed on Halloween night itself. Will The Mai-Kai’s ancient Tiki gods be pleased or annoyed? You’ll have to attend the party to find out. The eerie event, sponsored by Appleton Rum, starts at 5 p.m. and features live music by South Florida roots rockers Slip and the Spinouts, a costume contest, deadly drink specials and retro Halloween tunes during happy hour.
The haunted happy hour runs from 5 to 7 p.m., with most of the bar’s dangerous tropical drinks, such as the Shrunken Skull and Shark Bite, priced at 50 percent off. Also half-priced are the tasty Polynesian appetizers such as the Pupu Platter, ribs, chicken, shrimp and salads. Check The Atomic Grog’s Mai-Kai Cocktail Guide for other deadly treats.
Also during happy hour and until Slip Mahoney and his band of costumed characters take the stage, The Atomic Grog will be programming more than 2 hours of retro Halloween-themed tunes, from early blues and exotica to jazz, rockabilly and surf. This will be the band’s fourth Hulaween appearance, a testament to its popularity and staying power as torch-bearers of the South Florida rockabilly scene. Slip and the Spinouts is The Mai-Kai’s go-to party band that always knocks ’em dead.
Fans of the much-anticipated Tiki bar coming soon to the Polynesian Village Resort at Walt Disney World were treated to a sneak preview during the inaugural Mahaloween Luau at Trader Sam’s Enchanted Tiki Bar at the Disneyland Hotel. Disney Imagineers showed off a logo T-shirt and several mug prototypes, along with some insight on the design and theming of Trader Sam’s Grog Grotto.
A T-shirt featuring a Trader Sam’s Grog Grotto logo was displayed at Mahaloween Luau on Sept. 29. (Photo by EPCOT Explorer)
The event on Monday, Sept. 29, was a seasonal-themed party that included food and drinks, live music, exclusive merchandise, and a presentation by Walt Disney Imagineering on the past, present and future of Tiki at the Disney parks. Among those in attendance was Steve “Tikiman” Seifert, who keeps fans of the Polynesian Village Resort updated on all the recent changes and refurbishments with his authoritative website and Facebook page. Seifert kept an eye out for news on the Polynesian and the Grog Grotto, and he gave us a full report after the event. Check out his photos and more insights on Mahaloween below. Thanks also to EPCOT Explorer for his photos.
Amid all the construction and re-imagining of the Polynesian, Disney has released very little info about its new Trader Sam’s outpost in Orlando since a big announcement and release of concept art on May 2 [See The Atomic Grog’s story and photos]. And while Imagineers Brandon Kleyla and Kyle Barnes didn’t drop any bombshells, they did provide a few visual and informational treats. Kleyla, in fact, was wearing an orange T-shirt featuring a Trader Sam’s Grog Grotto logo that will likely soon become a merchandise item. A blue shirt was also shown during the presentation. Kleyla, who grew up in Florida and frequented Disney World in his youth, was the Imagineering set decorator for Trader Sam’s in Anaheim, bringing to life an immersive environment that borrows heavily from classic Disney attractions such at the Jungle Cruise, Enchanted Tiki Room and Adventurer’s Club [See interview].
Veteran Imagineer Kyle Barnes, who had a lead role in the Disneyland Hotel bar’s design, took the mic to talk about the concept behind Disney’s second lounge “owned” by Trader Sam, the infamous “head salesman” on the Jungle Cruise attraction at Disneyland and Disney World. Barnes said that while the Disneyland location celebrates the Jungle Cruise and a 1930s African Queen aesthetic, the Disney World bar will synch up with the Magic Kingdom and feature more of a “technicolor” look and feel.
One of the new mug designs for the Polynesian Village Resort, as seen at Mahaloween Luau at Disneyland. (Photo by EPCOT Explorer)
Barnes also confirmed suspicions that have made the rounds since the concept art was released showing a giant squid tentacle behind the bar [See photo]. The Grog Grotto will celebrate the classic 20,000 Leagues Under the Sea, “with various props from that attraction,” he said.
A nautical theme makes perfect sense considering a grotto is often a small cave near water. And it will be located just across Seven Seas Lagoon from the Magic Kingdom and Adventureland, which includes Trader Sam’s home in the exotic rivers of the Jungle Cruise, as well as the animatronic tikis in the Enchanted Tiki Room. The T-shirt logo also includes a giant squid, so don’t be surprised if the Grog Grotto features a backstory about Sam’s adventures on and beneath the sea.
Since its release last December, Beachbum Berry’s Potions of the Caribbean: 500 Years of Tropical Drinks and the People Behind Them has set a new standard for cocktail history books. Chock full of vintage photos and artwork, detailed research and stories, not to mention 77 recipes, the 317-page hardcover opus was recognized in July as Best New Cocktail/Bartending Book at the annual Spirited Awards during Tales of the Cocktail in New Orleans.
While critics raved, fans devoured the cocktails along with the stories, creating a unique drinking and reading experience. At Fort Lauderdale’s famous Mai-Kai, which is featured in the the book, general manager Kern Mattei was so impressed with the classic recipes he decided to feature some of them during a one-night-only event on Saturday, Sept. 20. See below:Virgin Island Kula recipe
From 6 to 8 p.m. in the restaurant’s Molokai bar, Mattei and his staff presented a flight of three cocktails straight from the pages of Potions of the Caribbean. It was the first time ever that these drinks were served in the nearly 58-year history of The Mai-Kai. And at just $12, it was a great bargain. The bar’s regular happy hour started at 5 and revelers stayed well past 8 as they enjoyed many of The Mai-Kai’s nearly 50 acclaimed tropical drinks. Tables were also filled with Pupu Platters and other small plates as a crowd of more than 50 filled the back section of the bar.
Of all the cocktails that disappeared from The Mai-Kai’s bar menu since the famed Polynesian restaurant opened in Fort Lauderdale in 1956, perhaps the most elusive has been the Martinique Cocktail. It lasted into the 1980s, but disappeared without a trace.
A menu from Don the Beachcomber’s Chicago restaurant, circa 1963.
A 1979 menu described the drink as “a small, yet robust creation of Martinique Rum, fresh juices and harmonious syrups” (see image below). I was able to identify this drink as a descendant of a classic cocktail by tropical mixology’s founding father, Donn Beach, aka Don the Beachcomber. Although I haven’t seen it on many Beachcomber menus, I was delighted to find the Martinique Cocktail listed as one of the “original rum drinks” at the Chicago location in 1963, seven years after The Mai-Kai opened.
It’s highly likely that this was the same drink, and not just because of the name. Mariano Licudine, The Mai-Kai’s original bar manager and mixologist, had a history of borrowing recipes from his days working at Don the Beachcomber, which began in 1939 in Hollywood. He was the No. 2 bartender at that very same Chicago location from 1940 until 1956, when he joined owners Bob and Jack Thornton at The Mai-Kai.
The Mai-Kai’s original 1956-57 menu includes 33 cocktails still served today, and 10 that are no longer offered, including the Martinique Cocktail.
However, finding a recipe was another matter entirely. I discovered many “Martinique Cocktail” recipes online, but none attributed to Donn Beach. But, of course, Tiki cocktail historian Jeff “Beachbum” Berry once again came to the rescue with his most exhaustive research effort to date, the voluminous Potions of the Caribbean: 500 Years of Tropical Drinks and the People Behind Them, published in December by Cocktail Kingdom. The hardcover opus deservedly won the 2014 Spirited Award for Best New Cocktail/Bartending Book at Tales of the Cocktail in July.
Included in the chapter on the influence of the Caribbean on early Tiki cocktails is a recipe for Don the Beachcomber’s Island of Martinique Cocktail, along with the backstory. Like many Donn Beach drinks, there were multiple recipes over the years, including an early version based on the classic Caribbean drink the Ti Punch (aka Petit Punch), which dates back to the late 1800s in Martinique. It was a simple combination of rum, lime and sugar, what Berry calls the “holy trinity” of tropical mixology.
Pop culture phenomenons are routinely shunned by historians and academics. This is especially true in the case of 20th century Tiki culture, which has been typically dismissed as being kitschy and unauthentic to the native civilizations that inspired it. Of course, this critique entirely misses the point of the artistic movement that peaked in the 1950s and ’60s but has been the midst of a continuing revival during the past several decades.
Luckily for fans of Polynesian Pop history and the current renaissance, we have Sven Kirsten. The contributions by this German-born, longtime Los Angeles film professional and self-proclaimed Tiki urban archaeologist are inestimable. His third hardcover book puts many pop culture historians to shame, exploring in rich and colorful detail the uniquely American phenomenon that permeated fashion, music, eating, drinking, and architecture for decades.
Tiki Pop: America Imagines Its Own Polynesian Paradise, published by Taschen (English and French). Available via Amazon and at retail outlets.
* Official Facebook page
Published in connection with an elaborate exhibit at a museum in Paris, Tiki Pop traces the development of Tiki as romantic vision and cultural appropriation. It takes readers on a journey from James Cook’s first expeditions in the Pacific, through Gauguin’s exotic paintings, to Hollywood’s big-screen fantasies, to the modern “temples” (bars, restaurants, hotels, apartments) built to celebrate Tiki as the god of recreation.
If you’re not sold yet, here are 10 good reasons why everyone with an interest in Polynesian Pop and mid-century culture needs to waste no time in picking up Kirsten’s latest hardcover opus:
After coming precariously close to saying aloha and goodbye to The Hukilau, the long-running Tiki event she has organized since 2002, Christie “Tiki Kiliki” White is sure glad things turned out differently. “For me, it was the best event in the history of The Hukilau,” she said of the five-day festival in June that not only marked the 13th annual gathering of vintage culture devotees from around the world, but also a new beginning.
The Hukilau’s Christie “Tiki Kiliki” White introduces her new partners, Richard Oneslager (left) and Mike Zielinski, during Saturday night’s Main Event at The Mai-Kai.
Just months before she planned to close the books on The Hukilau for good, White was approached by two fans of the event who also happened to be experienced businessmen and event organizers who were eager to strike up a partnership. “I consider myself a very lucky person,” she said of the serendipity of the happenstance that led to The Hukilau not only surviving to see 2015, but becoming poised to thrive and reach new audiences across the country.
I sat down with Tiki Kiliki recently at The Mai-Kai, the beloved 57-year-old Polynesian restaurant that serves as the inspiration for the event, to get the lowdown on what she and her new partners, Richard Oneslager and Mike Zielinski, have in the works for The Hukilau and how their mutually beneficial partnership came about. But first, a look back at that memorable event in June that was expanded to five days in anticipation of a last hurrah. Instead, it turned into a celebration of what’s to come.
In the waning hours of The Hukilau on Sunday, artist Crazy Al Evans and author Jeff “Beachbum” Berry get one last chance to savor The Mai-Kai, its cocktails and its tropical garden.
“This is going to sound really strange, but sort of like Disney, it was kind of like magic this year,” Tiki Kiliki told me. “You can’t really explain it, but everything just fell into place in a magical way. We talked about it afterwards. We don’t really know what the magic formula was, it just happened.”
The magic started on Wednesday, June 11, when what was formerly an informal night at The Mai-Kai became the Unofficial Official Pre-Party. South Florida roots/rockabilly band Slip and the Spinouts jammed in the sold-out Molokai bar while other attendees enjoyed many of the bar’s 47 classic Tiki cocktails and the restaurant’s extensive appetizer and dinner menu in the more sedate dining rooms. Logistical problems at the Sheraton Yankee Clipper forced the cancellation of Marina the Fire Eating Mermaid’s scheduled midnight swim show, but that just gave some attendees the opportunity to begin their room parties early. Disappointed guests were heartened by the fact that there was much more Marina to come.
